The majority of our budget is going towards transport for the cast and crew, to be able to get to different locations. This will work out to be £10 each way. £200 a week is going to the production office for stationary, euipment, utilities etc. £50 is going to the recce this is so the producer and production manager can confirm the locations, i.e. the beach. There will be one main artist and her supposed boyfriend. The boyfriend will be paid £142.62 and that includes his national insurance. The artist will be paid £237.67 which includes 5 days of shooting. Thfee is also to ensure her presence every day and to the highest quality equipment available for her. We will need a camera with a tripod with a camera to get the establishing shots of the market, furthermore we are going to display a lot of panning shots, this will cost £50 per day. I will also need to get the permissions of all the market stool holders to check whether or not they want to be filmed. Furthermore i will have to check with businesses to see whether they want their businesses featured or not.
Prodution Manager
Our main location is a beach in Great Yarmouth. Therefore i will have to check trains are running and the times they leave to and from Yarmouth, and to see whether or not the cast and crew will get there on time. i also need to decide how long we will be shooting at each location and make sure we move to our next location on schedule, to ensure we still have light. The food that everyone will have will be from the local fish and chip shop, this will be pre ordered so that it's there when we want it. Euipment that we will need will be a camera, tripod, and tracking euipment which can be borrowed from the local supermarket and returned that evening, because i feel a shopping trolley will be idle to track with. The rest of the euipment will be hand held by the crew to different locations. An idea that we could put into practiseis to use the Yarmouth wheel because it would give us a smooth shot and show good effects. The CD of the track will be needed so the artist can mime along to it. Lights may be needed to brighten up the locations due to winter nights, and these will again need to be transported by hand but carefully because they could break. Furthermore i may need to negociate with a local businessman whether or not we could use some electicity to power the lights if needed.
Budget Summary
Production Office-£200
Recce-£50
Cast (Casting)-£1652.66
Production Salaries-N/A
Unit Salaries-£502.66
Equipment Hire-£300
Art Department-£50
Studio Costs-N/A
Location Costs-£535
Post-Production-£237.68
Insurance and Legal-£100
Sub Total
Contingency and mark up
Final Total-£4931.14
Friday, 27 November 2009
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